— Amma Faros as Shelley Darlingson from The House Bunny, 2008
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April 17, 2014
Mrs. Doubtfire Sequel In The Works But Not Everyone Is On Board
— Posted by Ryan
Mrs. Doubtfire was an iconic family film of the 90s and like many other iconic films, Hollywood has seen their opportunity to capitalize on the popularity. The film is over a decade old, Robin Williams is not the box office success he once was, and from my perspective, the film ended without leaving room for a sequel. So the question is, can a film that’s over two decades old captivate the humor of this generation?
Apparently a sequel has been in the works since 2001 but got benched since then. The claim is that the idea was never officially canned but it was not until recently that the project started to gain momentum.
While Robin Williams and Chris Columbus may be optimistic about the film’s success, no other former cast members have signed on and Mara Wilson (little Natalie) had many harsh things to say about the film on Twitter.
I personally think that this is a bad idea. You may have a few nostalgic movie-goers interested in seeing the film but overall I think this is a guaranteed flop. If Chris Columbus is going this route, why not bring back Macauley Culkin for a Home Alone sequel at his current age. Make the character kind of a burnout still dependent on his parents for everything and gets left home alone and can’t function. At least people would be interested in a mockery of a classic, but a serious sequel is almost offensive to the foundations of the original film and cannot adapt for today’s viewers. Sorry Hollywood, but if you go through with a Mrs. Doubtfire sequel expect its success to be very doubtful.
This post was written by :
First and foremost, Ryan Brown is a fan. He has been an avid fan of both the theater and cinema since an early age and his passion for both has been continually growing ever since. When dissecting a film, he focuses on all elements of film-making including some fan/cult factors. He believes that character development is the foundation of a good film and usually starts his analysis of a film from there moving forward. His writing style may be influenced by his background of narrative and argumentative studies in the subject, but he tends to enjoy a more conversational style to better interact with the readers, unlike some other pretentious and pompous writers.
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